Who were the main proponents of the Soviet Montage theory?

The Soviet Montage theory is primarily associated with Sergei Eisenstein and Dziga Vertov, who were pivotal figures in the development of film editing techniques and the theory behind montage in the early 20th century. Eisenstein is particularly known for his exploration of how editing could create emotional and intellectual responses in the audience, a concept he termed "intellectual montage." He believed that the collision of shots would provoke thought and stir emotions, effectively conveying complex ideas through the juxtaposition of images. Dziga Vertov, on the other hand, pioneered the use of documentary footage and emphasized the role of the camera as an active participant in capturing reality, a concept he encapsulated in his famous film "Man with a Movie Camera." Both filmmakers contributed significantly to the ideological framework and practical techniques of montage in cinema, making them the most notable proponents of this theory.